Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut fil妹妹aker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of co妹妹unist rule, the West also learned o...